Now the description of the dot pitch is given by Negri (shown here in relation to what I said earlier on the fifth part of the barrier): "... splits into two lines moving in the first footer left, and pushing it forward so that steps with the heel of it quite to the point of foot ... " Caroso first does not differ too much, but added he was so dear to the aesthetics of the strut: "... before you move the left foot do the motion, strutting rather (...) will make a step forward with the same foot, but so pushing forward, passing with his heel the very tip of his right foot ... "Not so Caroso second, speaking changing the words :" ... a little alzarai the left foot ... " Santucci and speaking explicitly inarboramento the left foot. The dynamic thrust
favors, as mentioned, an otherwise unlikely execution within ¾ axis, created by dancing with the union of two right hands.
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